Showing posts with label STAR PINE. Show all posts
Showing posts with label STAR PINE. Show all posts

Thursday, October 6, 2016

BEASTIE: Lord of the Lamp Post


You guessed it. Time for a new book from Star Pine!

Well, new in a sense. A generous excerpt from Beastie appeared in Andrew Blauner’s anthology Central Park a few years back, but the new Star Pine edition marks the first time the story has been available in its entirety. With pictures, no less.

To be brief and (I hope) enticing, Beastie is the story of my first encounter with the eponymous creature that lives in Central Park, who sleeps through the day in his little den at the bottom of Belvedere Castle, and only comes out at night “to forage in the trees for midnight luncheon” as the poem says, and to awaken the various statues who call the park home.

But I may already have said too much…

The account, set in the long-ago of my own fourth-grade year, has been written for everyone, but I would in particular recommend it to the young at heart, especially those whose hearts are, oh, eight years old and up, but especially especially to those hearts familiar with the park and its most crawl-able statuary. An admitted gluttony for baseball and baseball gloves wouldn’t hurt neither, but is not required.

I will below attach some of the drawings that have made their way onto the pages, along with a taste of the aforementioned poem - but only a taste - all by way of inviting you and yours to come and, at the proper hour, meet His Pointy-eared and Finger-nailed and Sharp-toothéd Majesty the Beastie, shaggy Beastie, Lord of the Lamp Post!


It’s only when the moon eludes the cloud-bank,
and every peering bedroom light goes dim,
when darkness looms in quiet rooms,
and closets stand like mummy’s tombs,
and the last child’s dream is finally entered in,

that’s when the shadow slips out from its dungeon,
and tumbles down to fetch itself a drink,
to forage in the trees for midnight luncheon,
and just like that make chiseled eyelids blink,
and fingers twitch, and noses itch
and round bronze shoulders sink.
From meer to lake, they’ll all awake,
From bridle path, to reservoir, to rink…

                                    (from the poem “Beastie: Lord or the Lamp Post,” by Anonymous

(full poem here)
and now, a few drawrings from inside...










Friday, June 3, 2016

ASMODEUS excerpt #4 - the ancient dragon Asmodeus contemplates mankind from the top of the tower of the cathedral...


Modo remained, scanning the chiseled, gridded, squared-off landscape of brick, concrete, steel, and glass that jutted and spanned and canyoned below. They’d passed over a number of small villages and settlements on the way here – distantly, of course. Still, from the vantage of the clouds it seemed like the men were much the same as before, sending their little trails of smoke into the sky. In fact that image of them – cold and shivering, stomping and huddling around the golden glow of their various hearths – more or less emblemized them in the Great Wyrm's mind. That was the good and the bad of them, how basically naked and ill-equipped they were, and yet, because of that, clever; the only other creature to master fire, if you could call that mastery, with sticks and flint and the coaxing and feeding and taming. But that was the point – the seed of admiration tucked away inside the husk of his contempt – that man had to work so hard, so constantly, so creatively to manage what Modo already had within him, and could summon up with mere intention, literally as easily as he could breath. That was the difference.
And here was that same difference again, splayed out beneath him in this impossibly ornate cityscape. If the villages hadn't changed much, the city was transformed. It was much better lit than he recalled. All the little globes they’d posted along the walkways appeared to be beaming a new kind of light:  hollower – slightly cheap, it seemed to him – but also lovely in its way. Incandescent. It didn’t flicker so much as hum. Everything hummed and strained – the carts all rumbled now, and puttered and grunted along, some of them on wheels of their own, some guided along tracks, so clumsy and awkward, with gangly arms attached to more humming wires overhead. The streets were latticed with them like cobwebs
There was almost something endearing about it, the lengths to which they’d go just to be carried along, the effort they dedicated to expending no effort, and the price they were willing to pay. The stench was everywhere – of gas, smoke, and burning air. Across the water, the stacks were much bigger and taller than he’s seen before, chugging great plumes of dark smoke into the sky. But again, to what end such industry? Leisure?
He quieted his mind to listen, to see if he could hear a difference, for this was another of his gifts:  to hear however much or however little he chose; each lap of each wave in the river; or past these, and past the humming and buzzing and chugging to the human's voices, their laughter, their shouts, their whispers and inner voices – every thought if he so desired. Had that changed at all, or was the din the same as ever? It seemed to be, only more loud perhaps, more of it, more closely packed together. He heard the squabbles and the prayers, the pleas, all the same as he remembered.
Then suddenly and out of nowhere – or not out of nowhere, as it was coming from directly underneath him – a most profound and majestic sound, a driving, driven hum which caused the stones to tremble, and that same trembling to rise up through his body, to cause his wings to quiver, his skull to purr. The charge was all throughout him, and now the sound was joined by human voice, a chorus-full, diving and cascading, rising again. He thrilled. Of course he did. He pitied them no more than they deserved. They were filthy, yes, but also capable of this, this glorious sound, borne of a knowledge they possessed that he did not – those lights, those muttering wagons, and whatever it was that had humbled the man so quickly, the father. Was that his genius as well? And was this song below the sound of that?
Only now there came another sound, a counterpoint – a lone voice, climbing up the spiral stairs, wheezing and grunting to the music, as if to remind the wyrm again of just how paltry, how sniveling, and disgusting they could be; this one griping about the gout in its knee. Modo turned round to see him appearing in the door – lumpy and white and trembling, standing on the parapet, looking back at him, his back flat against the wall. Modo lifted one wing just barely, just to see the terror in his eyes.

Away!

He jetted a hot plume of smoke from his nostrils:  the tower was his now. When the smoke cleared, the man was gone, tripping back down the steps, gimpy knee or no.
Oh, they were the same, thought the Great Wyrm, the same as ever, just more so, and there were more of them, packed more tightly, more frightened, more angry, more desperate. More more more, but there again, wasn't that the point. Say what you will about the rottenness of their cores, they were thriving, living and dying in untold numbers, while his own kind had whittled down to how many now? Was it just the one?
He would have to find that stone.

Thursday, May 26, 2016

ASMODEUS excerpt #3 - Orabas

Similar thoughts had dogged him the whole way there, which had been a full night's journey over the Fences and then the Southern Ridges. As thrilling as the speed and the height should have been, and as awe-inspiring as anyone would have found the view – lit by a magnificent full moon above and the shimmering lakes below, like carved mirrors scattered across the land – Orabas's thoughts had been more about revenge and turning tables. Should he wait until after he had found the shamir to make his move? Let Modo have the gem, then journey north and steal it back? Or should he take his chances now, at the soonest opportunity?
Even as he pondered his option, he had been aware that Modo was listening. Indeed, from the moment their eyes had met, Orabas felt as if a kind of silvery fog had entered his mind and was creeping through, invading and enveloping every corner and crevice. That was how they'd navigated, in fact. Orabas wasn't steering the dragon so much as thinking where they should go. The dragon understood.
By the time they came upon the Ord and followed it down to Monpel, the fog had entered him so deeply, he felt as though there was nothing he could feel or think to which the dragon was not privy, and that included any plots he might be hatching. Modo was not concerned. Try, was his reply (for the communication ran both ways, still). So much as flex a single muscle in defiance of my will, and I will slough you off, let you drop from here. Orabas had no doubt of it, and that long before Orabas even hit the ground, Modo would have turned around and be headed back to find his family – the born, the bearing, and the unborn. Modo knew about that as well.
But strangely Orabas did not resent him. On the contrary, as dawn arrived and they set down beside their cave, a kind of intimacy had been established between them. They were kin, in a way – as keepers of the jewel. They were like soldiers on opposite sides of the trench, opposed in color and purpose, but victims of the very same spell.
Sleep, came the silent lullaby, and Orabas closed his eyes. Sleep, said the dragon, even as he slept. The word was like a blanket covering over all of Orabas’s best intentions, their two minds much too intertwined to accommodate the thought of taking up that boulder. Killing Modo would have been like carving a tumor from his own brain...

ASMODEUS excerpt #2 - Margret

So in she'd go and spend the whole day filling her bowl – that was how she thought of it, and of herself. Whatever there was to taste, she would; whatever there was to touch, she would. Or smell, or hear or understand. Again, she spent most of her time in the library, going from book to book, or jar to jar. She discovered that if she took the jars into the music room and simply put them to her ear, she could hear stories as clearly as if she were reading them to herself. She heard them all, and often if she was so inspired she'd go straight to the dressing room and find whatever she needed – the gown, the tunic, the turban or the suits of armor. She would take up the bows and swords and stand before the mirrors, and the mirrors would reply with villains and muses and nemeses, courtiers, paramours, challengers and fiends. And it wasn't long before she realized the mirrors were not mirrors at all, but frames and thresholds leading into deeper tunnels, dungeons and catacombs. All she had to do was step through and she could slay knaves, dance Orientales, escape dark dungeons. She could be all things: a queen, a maiden, she could be king, scientist, alchemist. Each garment set off another world, another past and future, filled with her in its guise. She could conclude the war; dress the wound; finish out the sentence; remove the head or have her head removed; she could starve or gorge, fly (as she already knew how to do); but swim the deepest oceans too; command, obey, chisel, play, pray, betray; everything a human could, or any beast had ever done, she could do.
Or almost everything.
No wonder, then, that every day should end with sheer exhaustion. Finally she would be so tired she'd lose all track of where she was. How could she know, with all these doors and halls and little corridors she followed? She'd try retracing her steps back on through the picture frames or mirror frames and jars, but sometimes she would simply lie down where she was, right there on the rug or in the nearest chair, and that was fine. That worked too, because no matter where she fell asleep, she always woke up back in her bed again, and in her room, where there would be a new light coming in, a new blanket, and new flowers on the bureau, waiting to greet her.
And he'd have done that too.

ASMODEUS excerpt #1 - Modo

His golden eyes flicked open, blinked, and narrowed to a squint as he finally lifted up his great, horned head. He shrugged the veil of wings. He uncoiled from his most precious gem and lumbered upward, following the airborne trail up through the high tunnel to the opening just beside the cataract.
Only his muzzle appeared at first, shining like tar in the slanting sunlight, but even that merest of appearances stirred notice among the hovering hawks and vultures: Look. Be warned and wary. The master had awakened.
His head slid further out, taking in the day. The clouds had lifted. The sky was polished glass, but the familiar whisper was still there, coming from below. Down on the near shore of the inlet was a scuttled boat. Again his eyes narrowed, trying to figure from the tides just how long ago the wreck had occurred, and whether its victims were still on premise. He hoped not. Men had their place, but it wasn’t here.
…He crawled further out onto the ledge and extended his neck toward the curtain of water, which was fuller today than usual, gushing down from the mountains after all that rain. He helped himself to several gulps. He let the bracing cold beat on his head a while, then shook free with a glistening, majestic explosion, lifted his wings and leapt. He glided most of the way down, turning three wide circles in the crux of the fjord, his great spanned shadow dashing along the cliff-side, flicking across the cataract, then across the blue surface below, around and up and around again three times before finally re-meeting him, claw to claw, on the strand beside the boat...

Sunday, May 8, 2016

Star Pine Books

This week marks two or three fun unveilings. The first is of my own imprint, Star Pine Books.

The primary and founding purpose of Star Pine is to re-release former titles of mine under my own aegis, both to ensure that my work is readily and perennially available – as any self-respecting author’s work should be in 2016 – and available in a way redounds to my own, and more importantly to my children’s, financial benefit. Ditto.

The first of the older titles I am releasing – my tent-pole, as ’t’were -- is The Chess Garden. More specific, descriptive and critical information about The Chess Garden can be found pretty easily from your present perch. For this space here, let it simply be said that I’m very pleased with the StarPine edition, in no small part because its cover features the artwork of Renaissance man and former Commendabi Leaguer Ethan Barretto, who started sending me drawings even before he knew of my intentions. The interior design is more simple and readable than it has ever been. Also and for what it’s worth (about 5 bucks), the new release has facilitated the first ever digital offering of the title. Given its particular age and the remarkable modesty of its former spokespeople, The Chess Garden has never (except to outright thieves) been available on Kindle, i-pad, i-phone, etc. Now it is.

But on the principle that one should never throw a party without party favors, I have – for this inaugural gala to which you have unwittingly invited yourself  – decided to offer a second, never-before-seen title as well, about which I am no less excited.

Asmodeus: The Legendof Margrét and the Dragon. 

My preference, of course, is to let books speak for themselves, but I know how these things work, and I don't expect to be doing a whole lot of marketing, knowing me. So, for those Totos among you who can’t seem to resist chewing on the pant-leg of the charlatan behind the curtain, you are welcome to peruse the posts immediately below to learn the two back-stories – one personal, one historical -- that provided for the conception and creation of Asmodeus.

But before getting to that, one or two last words about the Star Pine venture, just to be clear.
  
I certainly wouldn't want for my new shingle to be construed as some sort of GBCW directed at traditional literary publishing, which I continue to believe has matchless virtues, the benefits of which I’d be thrilled to enjoy at the next available opportunity. However, inasmuch as not everything I write is going to appeal to even my favorite gatekeepers, there exists the possibility that other new books may follow in the wake of Asmodeus, to take their place on Star Pine, snuggling in alongside the older titles to enjoy their company, their shade, and their warmth. It is in that modest, but also admittedly vain, spirit that I proceed.

And of course when it comes to those older titles, I understand that as free, sinister, and independent citizens of the 21st century, you are at liberty to go find other, cheaper avenues by which you may avail yourself of the same material. I cannot stop you. I don’t even much begrudge you. We writers have been living with the menace of free distributors for longer than most of our creative kin – DAMN YOU, LIBRARIANS! But if some pang of conscience should move you to want for your enjoyment, or potential enjoyment, of these efforts to reflect back upon their ostensible source, and maybe even provide him the means to offer more in the future, please consider Start Pine Books to be a kind of Self-Addressed Stamped Envelope, from me to you. My children's tummies, and my children's children's tummies, thank you.